Iconoclasm vs. A Muslim American Brand

Earlier today, while leafing through a fashion magazine at work, I entertained a complex fantasy involving Jay Z and Beyonce endorsing public libraries and whether or not I would wear a hijab to the ceremony/celebrations (to which I would obviously be invited) they would have in honor of their endorsement. Thursdays are slow days.

Reflected in that fantasy are 3 things I've been thinking about recently:

1. Icons. Pop icons, public figures, product campaigns/packaging, idols, art.

2. Family/community vs. individualism.

3. The meaning of hijab and the circumstances, yes circumstances, under which it's better to wear one than not wear one. 

The first is because, in The Butterfly Mosque G. Willow Wilson mentions the Islamic recommendation against and in some cases even prohibition of icons. This comes from a long history of refusing to worship idols, through which the worshiper may associate partners with god or earthly manifestations of god and divide god's oneness. Wilson, though, is a graphic novelist whose work depicts human and animal figures which, though not forbidden to Muslims as is the depiction of the Prophet, is certainly not recommended. Islamic art, rather than being iconic, is meant to be decorative and using a graphic novel as decoration is tantamount to using any other book as such. Wilson goes on to say that American culture, by contrast, is icon centric.

Wilson also mentions the Egyptian distaste for living alone in the ground of it being waste of resources. Economies of scale aside, the Times article, "The Freedom and Perils of Living Alone," , implies living alone diminishes the ability to anticipate the needs of others, working in direct contrast with the values of collective society (and, I would argue, representative democracy) such as the society heavily family centric, borderline tribal society of Egypt.

Hijab is another post...kind of.

Anyway, I am going into library science because I'm interested in community building and, as I've witnessed by working the circulation desk at the busiest public library in RCLS (a library partnership/conglomeration covering Orange, Rockland, Ulster, and Sullivan counties), public libraries have a lot of potential as a major community hubs. I am going into it with the awareness that the computer/internet access provided by most libraries has been criticized for merely providing the underprivileged communities with the feeling of belonging in larger society without providing them the skills necessary to contribute to and create that society.

I believe that no one should be preyed upon as consumers under the guise of inclusion. They should also be able to create and contribute to the creation of their own/chosen brands, like what Jay Z is to black culture.They should be able to make and choose their own icons, aesthetics, etc and feel their participation in the brand benefits someone they trust.

While a brand may anticipate the needs of it's consumers, it also sells what is ultimately its own conception of society's needs to society and makes a profit that society does not necessarily benefit from. Jay Z says, "I'm not a businessman, I'm a business, man." As a public figure, he sells himself as a brand. In consumer culture, if hip-hop is the religion, Jay Z is god. If not forever, at least until the next god. Jay Z doesn't define himself by participating in consumer culture like normal people do. He defines himself as culture to be consumed. Anything he does becomes a part of his brand. However, creating a brand that saves your people the degradation of investing in brand values that may directly contradict their own (ie: Tommy Hilfiger's racism) is definitely community empowerment.



So, as a 21st century Muslim, I have to ask: can Muslims have a public figure like Jay Z? Is it Islamic to create a Muslim brand that neither exoticizes, stereotypes, nor exploits Islam or Muslims (or anyone or anything else) while uplifting Muslims Americans? Since brands, rather than tribal communities (more easily maintained in more homogeneous societies), are the American vehicles of unification and identity, not to mention that of globalization, can they take the place of the family/community as something that empowers Muslims? Is the identifier "muslim american" one that truly brings people together as both Muslims and Americans without a brand? Or are culture generating brands too akin to idol worship? Would it be okay if the brand didn't center around a celebrity?

The easy answer is that Islam IS a brand, so to speak, and under all circumstances should be the main principle of unification and identity for all Muslims. The easy answer is not necessarily a wrong answer.

But what I'm more concerned with and what we lose by going with the easy answer are the cultural aspects-- things found in magazines, things like recipes, family traditions, the finer aspects of grooming, beauty standards, relationship advice, interior design, etc.  I would like to see something providing Muslim Americans (many of whom are immigrants) a connection/consciousness with the tribulations of their parents while simultaneously imagining their future as Americans (like hip-hop that samples jazz and blues). While we're at it, immigrant Muslims also sorely need to connect with black Muslims and converts need to understand the difference between cultural and religious practice. 

I believe that the admonition concerning icons exist to make brand awareness necessary rather than to prohibit the making of icons altogether. I know there are magazines out there for Muslim Americans and there are Muslim American brands but I want to see more that are self aware yet vigorous enough to gain recognition from mainstream America, especially in the wake of the flop that was TLC's reality TV show or the impending, Colbert "threat down" bearing "The Shahs of Sunset" disaster.

On Believing in Wisdom

I follow @IslamicThinking on Twitter. A lot of times they say the usual things you hear in a Friday khutbah (sermon) about working to increase your faith or avoiding decreasing it. What I like though, is that sometimes they really capture the way a Muslim thinks, and not necessarily just the way one should think.  One particular tweet from last summer that reminded me of "self-fulfilling prophecy," a notion that has probably single-handedly caused more panic attacks than any other known to man*. The tweet said something like, "if you try to do right thing, a sign you are doing the right thing is that you need not dread the consequences,"and revealed a vein of understanding I could barely grasp at the time but have finally realized to be wildly important to my life.

Now, I know a self-fulfilling prophecy can be a good thing but I most strongly associate it with its negative connotation. Approaching something with confidence and optimism, for me, never entails envisioning the future as precisely as you have to for a self-fulfilling prophecy, but rather, a vague sense of throwing yourself forward. At that point in my life, it had been awhile since an excess of gloom and doom had replaced my confidence and optimism. Upon encountering the @IslamicThinking tweet in question, I became vaguely aware of the reason I was terrified of self-fulfilling prophecy and the reason behind my nagging sense of foreboding about the future.

My awareness was fleeting. After a moment of understanding, it fled my mind. After a few minutes of groping after it, like you do when you forget what you were about to say in a conversation, I gave up. But the desire to understand stayed with me. I stumbled into it unexpectedly a few times but as soon as I would try to commit the understanding to memory or even write it down, it was gone again.

It's hard to face the fact that you're doing the wrong thing. It's hard to come to terms with the idea that you made a mistake and it changed you profoundly. So much that you can't even comprehend it as a mistake.

Luckily, last summer, I was grappling for anything that looked like a viable future for myself and, mostly failing to do so, I had a heightened sense that my life needed to change. I was open to exploring ideas going against the grain of my usual thought patterns, especially any that made me less agoraphobic about the future. So I opened up to the idea that somewhere along the way, I had chosen a wrong path.

Of course, I've always believed that all mistakes are worth making if you learn something from them. In that line of thinking, I'm not really one to follow advice. My tendency is to listen to advice to confirm my own point of view and then go ahead and try things, believing I can always correct myself if I make a mistake. Last summer, I probably should have taken my reluctance/inability to analyze the way I'd been living for awhile through my usual trial and error analysis as a sign I was in serious trouble, but I guess the trouble was too big to see enough of it to identify and maybe somewhere in my mind, I knew that.

Today, before helping my mom do yard work, I was reading and again, something in my book. The Butterfly Mosque, by G. Willow Wilson, gave me a glimmer of the understanding of the tweet from last summer as it applies to my life. I hadn't thought about in a long time. I put down my book and began working with my mother. Meanwhile, I was thinking about the way you learn from season to season about things like gardening and the things my mother knows that I have no idea about, all ideas reflected in Wilson's memoir, I finally grasped the understanding I needed from that tweet.

Looking back now and thinking of the pain and struggle I put myself and people I loved through, has made me realize that learning from mistakes, as valuable as it may sometimes be, is too risky to stake my life on. The mistake I was making, the place I'd gone wrong was with my reluctance to really seek good advice. As life got more complicated, and at breakneck speed due my openness toward complication, the analytical thought I'd honed as a teenager wasn't good enough. With the attitude that I could figure anything out for myself, I didn't even know how to ask the right questions when I needed help. Thinking you're in it alone is a self-fulfilling prophecy and a self-fulfilling prophecy depends on your insistence that you are. There's wisdom in listening to people who care about you and have experienced what you are experiencing. It creates a buffer-zone by giving you less time to and value in feeding your neurosis. The hard part, in our day of youth and information overload and made especially difficult for minorities, is not just getting advice, but believing there is a source that has the advice you need. 



*I can only prove this personally but from what I know about mental illness, which is a surprising amount, I wouldn't be surprised if this applied more broadly.

Who's making your future?: An introduction to mine.

“There is no such thing as unmanipulated writing, filming, or broadcasting. The question is therefore not whether the media are manipulated, but who manipulates them. A revolutionary plan should not require the manipulators to disappear: on the contrary, it must make everyone a manipulator." -Hans Enzensberger (Rust Belt Visions: The 2011 Allied Media Conference)

It is a commonly held notion that the world around us isn't good enough. Maybe with the exception of people who belong to the elite class of luxury and excess, most of us look around us and see things that need to be improved. Most of us are willing to work towards improvement, if only for a good night of sleep following a hard day's work. We don't want our effort to line the pockets of the elite or further the damage already surrounding us.

For change to happen, we need resources. Knowing that one of the problems we face is a shortage of resources, some of us choose to directly address this need. I respect that effort, especially because to do it honestly it requires skillful navigation between the corporate creation of scarcity and actual need.

Apparent in my penchant for literature, rooted, perhaps, in the immigrant tradition, I want to address our need for resources by helping both people seeking to provide resources and the people in need of them think about what they really need and to best provide and/or obtain it, and I want to do it by addressing our escapist tendencies.

Next, though you might not immediately see how this comes next, a good story caters to the escapism of entertainment and a really good story teaches you something important at the same time. Though I have spent years of my life with my nose, nay my entire head, in some book, I know that most people escape into music, television shows, movies, video games, or, the biggest one of all: the internet. And though I was an English major, I know that most if not all media contains a message. The message is usually simple: consume more media from this source/follow this message.

BUT the original conception of the internet was not one prompting us to consume but to create. It was not to create another platform for corporate manipulation but to give us access to creating information. Dave Winer from Wired.com equates internet access with having access to your own personal printing press. And the more digitized media becomes, the future we can take that. Why not your own radio or TV station? Video game? Record company? Art gallery? Why not? It seems like the ultimate escapism until you realize the internet is a place where change can happen. In fact, it is happening but the change is being enacted by corporations and that needs to change.

The next question is that of creating media with messages in good faith. In other words, creating media in the context of creating a better world, not just one into which we can escape, as has been its historical corporate function. This is probably the hardest part. While I was English major, dissecting the worlds created in literature-- even though literary fiction is often a prompt to dissect the intentions of the world around us, facing the intentionality in the world around us is an incredibly difficult task. Before using literary analysis, which tries to pinpoint the techniques used by the author to create the message of the book, I never really thought of books as being authored, forget the process by which they are. The way I learned to read as an English major and the way I read before were entirely different and the difference nearly ruined the pleasure of reading for me.

But there are people who face intentionality at its worst everyday. People who face racism or sexism, for example, and know they should be judged as an individual rather than through prejudice. Especially when prejudice is encountered everywhere, it becomes apparent as being constructed with the intention to justify the mistreatment of others. People who struggle against it can tell you how important it is to know the historical context of both the force they reckon with and of their struggle as it proceeds.

For example, when part of a struggle against prejudice, such as the revolutionary movement of hip-hop, is commercialized and made into "pop," it's context (the Civil Rights Movement) disappears. So how do you create media in good faith? You make sure it is connected with the context of it's intention. Don't trust anything without context.

But simply providing context is not enough. Judith Butler, on addressing the lack of centrality/representation/leadership in feminism states that gender, to remain relevant and to avoid coercion, must function as platform for the interpretation of gender. For feminists, gender is a conversation starter, not a lecture. Gender is a context but without the opportunity to continually edit the contained content, it morphs into the polar opposite of what feminists (and humans in general) need it to be. Given, the next step is to empower people to contribute to the creation of information and media.

So, my goal is to help people become aware of information manipulation (giving them context) while giving them the skills to dismantle the sway of the current methods of manipulation as content contributors. This will not only help people become more aware of commercially created "need" but hopefully also help us find our actual context within which we can assess our actual needs. Believe it or not, you can learn all the necessary skills to do what I want to do at a good Library and Information Science program. So that's where I'm headed next.

Yale's "Call the NYPD" Protest and the role of the MSA in the American University

I haven't posted in a very long time! I've been pretty busy corralling application forms and figuring out the next step for myself. Which is close to being figured out, by the way. I'll explain some more in my next post because, in the interest of aforementioned corralling and figuring, this post will have to be a short one.

Side note: That title sounds like a paper title. Maybe I do miss being in school.

So, getting to the meat of today's topic. Recently, my sister's college MSO hosted a lecture by Ingrid Mattson, former president of ICNA. After a girl, claiming she was a photography student, asked to take a picture of my father, my sister brought up the recently publicized NYPD investigation of Muslim college student organization that, shockingly, pervaded the east coast much further than NYPD jurisdiction does.

While I am disappointed, and slightly confused since Bloomburg openly supported the Park51 Mosque, I would prefer to call attention to Yale's response because the way we respond to what gets thrown at us is what defines us and the way Yale students have responded is highly respectable.

To protest racial profiling, Yale students are posting pictures captions "Call the NYPD" of people on campus holding signs declaring "I'm a Muslim," "I'm a feminist," "I'm just trying to help," "We used to be Muslim," or simply, "I'm against racial profiling." The wide range of photos posted and wildly varying signs proclaiming personal identity effectively condones racial profiling.

Further, I believe that this act reflects the desire in the American Muslim community to be addressed as an individual. Though Muslim culture is generally collective, American Muslims have a tendency to either flout or walk the line between individualism and collectivism. I first noticed this after reading a ton of Sherman Alexie last summer, particularly his novel Reservation Blues, because I believe it's an experience shared by most minorities strongly associated with enduring stereotypes.

I was never an MSA member myself, though my school's chapter was the largest organization on campus. Most members were fairly conservative Muslims. There weren't any non-Muslims as far as I remember and being a female, semi-practicing Muslim who was grew up pretty American, I didn't feel like I fit in. I don't think the MSA was intentionally exclusive but I think the Yale protest certainly hints at a need for more diverse involvement within similar organizations across America.

Afterall, the MSA is not the campus mosque/masjid. Though it can certainly function as that as well, in the end, it is a campus organization and has to address the needs of the campus as well the Muslim community at the school. It has the opportunity to serve as a platform of discussion between Muslims and non-Muslims an intermediary is sorely needed there. Though mosques can do this as well, as a campus organization rather than a house of worship, this is a responsibility of the campus MSA.

Finally, I don't think the response from the Yale community at large can be dissociated from the character of the Yale MSA. The Yale MSA has a reputation for what some would call "liberalism." But this is a place where Americans Muslims walk a similar line as that between individualism and collectivism and should not be mistaken, though it often is, as counter to good religious practice. Islam, like other religions, historically adopted the culture of the land and mixed religious expression with cultural expression. I don't think that men and women praying side by side on a college campus, though it contradicts Islamic orthodoxy, can so easily be condemned as the religiously conservative are wont to do.

All in all, in my book: Yale 1, NYPD 0.